2010-12-01

                                                               
Robert Filliou
3 No-Plays, 1964
No-Play #1
This is a play that nobody must come and see. That is, the not-coming of anyone makes the play. Together with the very extensive advertising of the spectacle through newspapers, radio, T.V., private invitations, etc. ...
No one must be told not to come.
No one should be told that he really shouldn't come.
No one must be prevented from coming in any way whatsoever!!!
But nobody must come, or there is no play.
That is, if the spectators come, there is no play. And if no spectators come, there is no play either ... I mean, one way or the other there is a play, but it is a No-Play.
No-Play #2
In this No-Play, time/space is of the essence. It consists of a performance during which no spectator becomes older. If the spectators become old3r from the time they come to the performance to the time they leave, then there is no play. That is to say, there is a play, but it is a No-Play.

2010-11-30




                                                                  Juliao Sarmento.

2010-10-18


not a door or window has ever been forced open.
basquiat.

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sugar ray robinson- jean michel basquiat.

lina scheynius.



2010-10-16


" The present has gone. Fantasy is a part of reality, but we take the breaks off. We're thinking clearly, yet not thinking at all. This feels right. We stop trying to control things; a warm rush of chemicals through us.<...> We risk sanity for moments of temporary enlightenment. So many ideas, so little memory. The last thought killed by anticipation of the next."- 
Human Traffic.


richard prince.


2010-10-13

 
julieta aranda.

"Then I plug the hairdryer in and I stand in the bathroom with my legs apart, and I hold the dryer and I dry my public hair."
<...>
<...> Then, oh, then, sometimes I plug my vibrator in. This is after I've set my hair and everything and I'm still working on a few things while I'm nude."
B.
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